R E C E N T H I G H L I G H T S
Aladdin (2019)
Things turned pretty blue in early 2019, completing work on one of the more memorable sequences on the recent live-action remake of Disney’s Aladdin, for Industrial Light & Magic. Spending the entire gig within the Cave Of Wonders, my most recognisable contribution was the iconic ‘lamp rub’ moment, and several key shots introducing the Genie…
Solo : A Star Wars Story (2018)
One of the more fun recent projects was with the Star Wars spin-off, Solo (dir. Ron Howard), working in-house with the compositing crew at Industrial Light & Magic. Check out this break-down of the London team’s Oscar-nominated work.
Star Wars : The Last Jedi (2017)
As a senior compositor with One Of Us, work included look development / execution of Rey’s Mirror Cave sequence, as well as two months spent working up a single 10-second shot of Leia most fans seem to have an opinion about… 😉
A Cure For Wellness (2016)
As a 2D Sequence Supervisor at Double Negative, managed a large team across multiple sequences for supervisors Tom Proctor + Brad Floyd, under director Gore Verbinski. Work included ripping genitals from corpses, mutilating deer, and doing horrendous things with eels. Good times.
Favourite gig ever was…
Despite regular blockbuster work, my favourite project ever was a small contribution to songwriter Rob Cantor’s massive YouTube hit, “Shia LaBeouf” Live. If you’re only going to click one thing on this page today, please make it this…
For a complete list of film work, please see the credits page, or the same again over at IMDB.com
R E C E N T H I G H L I G H T S
Aladdin (2019)
Things turned pretty blue in early 2019, completing work on one of the more memorable sequences on the recent live-action remake of Disney’s Aladdin, for Industrial Light & Magic. Spending the entire gig within the Cave Of Wonders, my most recognisable contribution was the iconic ‘lamp rub’ moment, and several key shots introducing the Genie…
Solo : A Star Wars Story (2018)
One of the more fun recent projects was the Star Wars spin-off, Solo (dir. Ron Howard), working in-house with the compositing team at Industrial Light & Magic. (Check out the trailer/movie if you haven’t already!)
Star Wars : The Last Jedi (2017)
As a senior compositor with One Of Us, work included look development / execution of Rey’s Mirror Cave sequence, as well as two months spent working up a single 10-second shot of Leia most fans seem to have an opinion about… 😉
A Cure For Wellness (2016)
As a 2D Sequence Supervisor at Double Negative, managed a large team across multiple sequences for supervisors Tom Proctor + Brad Floyd, under director Gore Verbinski. Work included ripping genitals from corpses, mutilating deer, and doing horrendous things with eels. Good times.
Favourite gig ever was…
Despite regular blockbuster work, my favourite project ever was a small contribution to songwriter Rob Cantor’s massive YouTube hit, “Shia LaBeouf” Live. If you’re only going to click one thing on this page today, please make it this…